Λυδία Αττάρ

[redmanftw]

αποπαρασιτωμενο και εμβολιασμενο τυπε?

απο λεπτοσπείρωση και λύσσα τύπε

 

[alkinos32]

ατταρ?
τι ειναι το ατταρ?
τι θα πει ατταρ?

Καλά, ρε ΑΠΟΛΥΤΕ, Αρσενικό και δεν ξέρεις την  Sarah ?

Απάράδεκτο.... 

 

[alkinos32]

τι ρατσα ειναι τυπε?

Attar of NishapurFrom Wikipedia, the free encyclopedia
Jump to: navigation, search Attar of Nishapur

Attar of Nishapur
Mystic Poet
Born c. 1145 C.E.
Nishapur (Iran)
Died c. 1220 C.E.
Nishapur
Honored in Islam
Influences Ferdowsi, Sanai, Khwaja Abdullah Ansari, Mansur Al-Hallaj, Abu-Sa'id Abul-Khayr, Bayazid Bastami
Influenced Rumi, Hafez, Jami, Ali-Shir Nava'i and many other later Sufi Poets
Tradition/Genre Mystic poetry
Major work(s) Memorial of the Saints
The Conference of the Birds

Abū Hamīd bin Abū Bakr Ibrāhīm (1145-1146 - c. 1221; Persian: ابو حامد ابن ابوبکر ابراهیم‎), better known by his pen-names Farīd ud-Dīn (فریدالدین) and ‘Attār (عطار - "the perfumer"), was a Persian[1][2][3] Muslim poet, theoretician of Sufism, and hagiographer from Nishapur who had an immense and lasting influence on Persian poetry and Sufism.

Information about Attar's life is rare and scarce. He is mentioned by only two of his contemporaries, `Awfi and Tusi. However, all sources confirm that he was from Nishapur, a major city of medieval Khorasan (now located in the northeast of Iran), and according to `Awfi, he was a poet of the Seljuq period.

According to Reinert: It seems that he was not well known as a poet in his own lifetime, except at his home town. and his greatness as a mystic, a poet, and a master of narrative was not discovered until the 15th century..[2] At the same time, the mystic Persian poet Rumi has mentioned: "Attar was the spirit, Sanai his eyes twain, And in time thereafter, Came we in their train[4] and mentions in another poem: "Attar has traversed the seven cities of Love, We are still at the turn of one street".[5]


`Attar's mausoleum in Nishapur, Iran`Attar was probably the son of a prosperous chemist, receiving an excellent education in various fields. While his works say little else about his life, they tell us that he practiced the profession of pharmacy and personally attended to a very large number of customers.[2] The people he helped in the pharmacy used to confide their troubles in `Attar and this affected him deeply. Eventually, he abandoned his pharmacy store and traveled widely - to Baghdad, Basra, Kufa, Mecca, Medina, Damascus, Khwarizm, Turkistan, and India, meeting with Sufi Shaykhs - and returned promoting Sufi ideas.[6]

`Attar's initiation into Sufi practices is subject to much speculation and fabrication. Of all the famous Sufi Shaykhs supposed to have been his teachers, only one - Majd ud-Din Baghdadi a disciple of Najmuddin Kubra- comes within the bounds of possibility. The only certainty in this regard is `Attar's own statement that he once met him.[7] In any case it can be taken for granted that from childhood onward `Attar, encouraged by his father, was interested in the Sufis and their sayings and way of life, and regarded their saints as his spiritual guides.[8] `Attar reached an age of over 70 and died a violent death in the massacre which the Mongols inflicted on Nishapur in April 1221.[2] Today, his mausoleum is located in Nishapur. It was built by Ali-Shir Nava'i in the 16th century. Like many aspects of his life, his death, too, is blended with legends and speculation.

Teachings[edit]
Ayaz kneeling before Sultan Mahmud of Ghazni. A miniature painting made in the year 1472, is used to illustrate the six poems by Attar of Nishapur.The thoughts depicted in `Attar's works reflects the whole evolution of the Sufi movement. The starting point is the idea that the body-bound soul's awaited release and return to its source in the other world can be experienced during the present life in mystic union attainable through inward purification.[9] In explaining his thoughts, 'Attar uses material not only from specifically Sufi sources but also from older ascetic legacies. Although his heroes are for the most part Sufis and ascetics, he also introduces stories from historical chronicles, collections of anecdotes, and all types of high-esteemed literature.[2] His talent for perception of deeper meanings behind outward appearances enables him to turn details of everyday life into illustrations of his thoughts. The idiosyncrasy of `Attar's presentations invalidates his works as sources for study of the historical persons whom he introduces. As sources on the hagiology and phenomenology of Sufism, however, his works have immense value.

Judging from `Attar's writings, he viewed the ancient Aristotelian heritage with skepticism and dislike.[10][11] Interestingly, he did not want to uncover the secrets of nature. This is particularly remarkable in the case of medicine, which fell within the scope of his profession. He obviously had no motive for showing off his secular knowledge in the manner customary among court panegyrists, whose type of poetry he despised and never practiced. Such knowledge is only brought into his works in contexts where the theme of a story touches on a branch of natural science.

 

[apolyto_arseniko]

Καλά, ρε ΑΠΟΛΥΤΕ, Αρσενικό και δεν ξέρεις την  Sarah ?

Απάράδεκτο.... 

Attar of NishapurFrom Wikipedia, the free encyclopedia
Jump to: navigation, search Attar of Nishapur

Attar of Nishapur
Mystic Poet
Born c. 1145 C.E.
Nishapur (Iran)
Died c. 1220 C.E.
Nishapur
Honored in Islam
Influences Ferdowsi, Sanai, Khwaja Abdullah Ansari, Mansur Al-Hallaj, Abu-Sa'id Abul-Khayr, Bayazid Bastami
Influenced Rumi, Hafez, Jami, Ali-Shir Nava'i and many other later Sufi Poets
Tradition/Genre Mystic poetry
Major work(s) Memorial of the Saints
The Conference of the Birds

Abū Hamīd bin Abū Bakr Ibrāhīm (1145-1146 - c. 1221; Persian: ابو حامد ابن ابوبکر ابراهیم‎), better known by his pen-names Farīd ud-Dīn (فریدالدین) and ‘Attār (عطار - "the perfumer"), was a Persian[1][2][3] Muslim poet, theoretician of Sufism, and hagiographer from Nishapur who had an immense and lasting influence on Persian poetry and Sufism.

Information about Attar's life is rare and scarce. He is mentioned by only two of his contemporaries, `Awfi and Tusi. However, all sources confirm that he was from Nishapur, a major city of medieval Khorasan (now located in the northeast of Iran), and according to `Awfi, he was a poet of the Seljuq period.

According to Reinert: It seems that he was not well known as a poet in his own lifetime, except at his home town. and his greatness as a mystic, a poet, and a master of narrative was not discovered until the 15th century..[2] At the same time, the mystic Persian poet Rumi has mentioned: "Attar was the spirit, Sanai his eyes twain, And in time thereafter, Came we in their train[4] and mentions in another poem: "Attar has traversed the seven cities of Love, We are still at the turn of one street".[5]


`Attar's mausoleum in Nishapur, Iran`Attar was probably the son of a prosperous chemist, receiving an excellent education in various fields. While his works say little else about his life, they tell us that he practiced the profession of pharmacy and personally attended to a very large number of customers.[2] The people he helped in the pharmacy used to confide their troubles in `Attar and this affected him deeply. Eventually, he abandoned his pharmacy store and traveled widely - to Baghdad, Basra, Kufa, Mecca, Medina, Damascus, Khwarizm, Turkistan, and India, meeting with Sufi Shaykhs - and returned promoting Sufi ideas.[6]

`Attar's initiation into Sufi practices is subject to much speculation and fabrication. Of all the famous Sufi Shaykhs supposed to have been his teachers, only one - Majd ud-Din Baghdadi a disciple of Najmuddin Kubra- comes within the bounds of possibility. The only certainty in this regard is `Attar's own statement that he once met him.[7] In any case it can be taken for granted that from childhood onward `Attar, encouraged by his father, was interested in the Sufis and their sayings and way of life, and regarded their saints as his spiritual guides.[8] `Attar reached an age of over 70 and died a violent death in the massacre which the Mongols inflicted on Nishapur in April 1221.[2] Today, his mausoleum is located in Nishapur. It was built by Ali-Shir Nava'i in the 16th century. Like many aspects of his life, his death, too, is blended with legends and speculation.

Teachings[edit]
Ayaz kneeling before Sultan Mahmud of Ghazni. A miniature painting made in the year 1472, is used to illustrate the six poems by Attar of Nishapur.The thoughts depicted in `Attar's works reflects the whole evolution of the Sufi movement. The starting point is the idea that the body-bound soul's awaited release and return to its source in the other world can be experienced during the present life in mystic union attainable through inward purification.[9] In explaining his thoughts, 'Attar uses material not only from specifically Sufi sources but also from older ascetic legacies. Although his heroes are for the most part Sufis and ascetics, he also introduces stories from historical chronicles, collections of anecdotes, and all types of high-esteemed literature.[2] His talent for perception of deeper meanings behind outward appearances enables him to turn details of everyday life into illustrations of his thoughts. The idiosyncrasy of `Attar's presentations invalidates his works as sources for study of the historical persons whom he introduces. As sources on the hagiology and phenomenology of Sufism, however, his works have immense value.

Judging from `Attar's writings, he viewed the ancient Aristotelian heritage with skepticism and dislike.[10][11] Interestingly, he did not want to uncover the secrets of nature. This is particularly remarkable in the case of medicine, which fell within the scope of his profession. He obviously had no motive for showing off his secular knowledge in the manner customary among court panegyrists, whose type of poetry he despised and never practiced. Such knowledge is only brought into his works in contexts where the theme of a story touches on a branch of natural science.

ιρανη ειναι τυπε?

 

[alkinos32]

Από Σαουδική Αραβία, φίλε...

Η πρώτη γυναίκα Αθλήτρια στην Παγκόσμια Ιστορία μετά από 2012 χρόνια μετά την έλευση του Χριστού...

Καλή?

 

[House of Fun]

Έχω και μαντινάδα.
Για σένανε αγάπη μου θα 'φτανα στο κατάρ,
τα δυο σου "μάτια" να 'βλεπα πανέμορφη αττάρ

Και να με πίπωνε ενώ έπαιζα σιτάρ και στο χωριό θα λέγανε "γαμίκους του ζαγάρ"

 

[alfreewind]

ατταρ?
τι ειναι το ατταρ?
τι θα πει ατταρ?

Το ΑΤΤΑΡ βγαινει απο το ΠΟΥΣΤΑΡ
οπως ακριβως το ΑΝΑΙΣ βγαινει απο το ΠΑΝΑΗΣ....